[image description: a reddish brown canine furry takes up most of the frame, sitting down in a waiting room chair. his black hair is covering most of his face in a curly mess. large, round glasses obscure his eyes, and his expression is calm and stoic- a singular canine fang sticking out of his mouth. he's wearing a red turtleneck sweater, maroon high waisted pants, and a reddish purple cape with a holographic, starry print. there's pins on his shoulder, where the cape hangs off of his body- a no-entry sign and a heart split down the middle.
the room itself is simple in what we can see in-frame, a door off to the side with a distinctly alien handle compared to what we have on earth- with a smaller upper grip laid horizontally, and a much larger lower grip angled vertically. there is alien writing on the door's sign, indicating who works there, and arrow-like patterning on the door's surface.
color-wise, the room is a rather sterile white and gray, made to feel warmer by the piece's overall cozy lighting. shiny particles hover around the dog's cape, leading to a dream-like feel.]
Charon rubs his fingers against the edges of the folder in his lap, his documents kept nice and neat inside. He'd be meeting up with the head honcho of the Menagerie, a facility staple on this continent for its medical importance. A renovation job for someone with a very specific skillset, that's what the guild explained when he took a look at the contract.
The waiting room is clean, almost too clean to be inviting- the entire facility felt clinical and cold, and this area is no different. The only audible noise is the hum of the lights up above him and the unintelligible discussion in the office ahead. No one else is left, all other people having gone through the office before him, and a sense of unease begins to settle in.
He tries to see if he can get any sort of sound or look at whatever was going on inside, just to know what he's exactly about to deal with. This lab had many stories behind it, stories that spread and snowballed into the thing of myth and fables. He couldn't say his family would approve of him taking a job with the reputation the previous owner had, but he was assured things were… mostly different.
As if to confirm his worries, the voices inside escalate in volume, someone bursting out of the door and scrambling to get out of there as quickly as possible. The dog tries not to mind it too much, probably just an anomaly. At the very least it means that he’s about to be called up.
He gets to his feet and gets a quick stretch in…he'd been in that lobby too long. His whole body starts clanking and clattering as he does so, a mix of his metal limbs and his fluffy tail, adorned with porcelain plates, making a racket.
????: Next.
Charon shuffles over into the next room as quickly as possible.
The office is tidy, everything clearly having its own place- though a little sparse, with no decorations or knick knacks to be found anywhere. The karacel at the desk sits with straight posture, her hands clasped in front of her and a stoic expression on her face. Her brown fur contrasts with her green accents on her nose, ear tufts, and eyelids- the latter currently half lidded over what looked to be black prosthetic eyes. It’s an exasperated expression on her face, barely turning to acknowledge him in her exhaustion.
????: Sit.
The dog creeps on over to his chair.
CHARON: I take it you're in charge?
????: You'd be correct.
She doesn't react much, keeping her posture steady.
????: Maes Artag, I run this facility and act as its head surgeon.
CHARON: Mm. I'm here for the job regarding renovation of the lab, you certainly have some… interesting requisites for it.
MAES: You're the contractor that Synna wants me to hire, then.
CHARON: Mmhmm. I'm not entirely sure why you need a knight for this but I take it you have bigger issues than roaches in the basement.
MAES: You could say that.
MAES: Synna says that your resume holds up well, but I wanted to see it myself.
MAES: You see, Mr…?
CHARON: Judgment.
He slides over a file.
CHARON: All my documents are in there… I heard that touch script copies were ideal in this office, so I brought those too.
MAES: …Thank you.
She seems a little impressed at the touch script inclusion, opening up the folder with care.
MAES: You see, Mr. Judgment, I have immensely high standards for the kind of work we do here at this lab, and your work will be especially difficult.
CHARON: I've been through the worst work of my career, it's all uphill from here.
MAES: I highly doubt that.
She grimaces, just enough to be noticed.
MAES: What kind of job do you think this is, from the requirements and briefing alone?
CHARON: I'd say you want me to dip my toes into hell and clean up some old regrets.
MAES: Regrets?
CHARON: Failed projects that need more than a mop and a dustpan to get rid of.
MAES: And what gives you that impression?
CHARON: The application mentioned the job requires an immunity or heavy resistance to horror and experience in security.
MAES: Facilities are built on horror vents all the time, any kind of building can be- especially in this area.
MAES: What makes you think there's regrets involved?
CHARON: Because this lab has a bit of a reputation, one that uttering it may be distressful to any staff within ear shot.
MAES: Mm.
Her grimace worsens.
MAES: Go on.
CHARON: This lab built too far into a horror vent, farther than most are willing to go.
CHARON: Now you need someone who can deal with them when they eventually leak and give trouble to your construction crew… and off the record, the stories around this place make it plausible those vents were used for more than basements.
MAES: Every major facility has stories around it. Do you believe these?
CHARON: I'm prepared for the worst should any of it be true, but I rather they be exaggerations.
MAES: The reasons why the underground needs renovations do not concern you. Getting the job done and done effectively does.
CHARON: I do need to be aware of all safety hazards that may come out of this. I don't want to have anyone injured on my watch, if I'm frank.
MAES: The only people who will join you in the cleanup are people who are similarly equipped.
MAES: I don't risk lives if I can help it, Judgment.
CHARON: That's good to hear, I'd refuse if I heard anything otherwise.
She runs her hand over the first paper, taking a proper look. The resume itself features a mention of involvement in a relatively well known investigation involving sensitives, users of scraps, those who can supposedly connect to spirits and remnants….
Maes’ frown twitches.
Maes’ frown twitches.
CHARON: Is… something wrong?
MAES: You believe in magic.
CHARON: Pardon?
MAES: It says here you've worked with…spirits.
CHARON: I've worked with sensitives in the past, yes.
MAES: And you believe in it.
CHARON: Is there an issue here?
MAES: We'll see.
She continues reading, her brows just the slightest bit raised now.
CHARON: It should not impact my ability to work if you are worried.
MAES: It better not.
CHARON: It won't.
MAES: I suppose I'll have to take your word for it.
It comes out cold- possibly more than she intended, by the look on her face- and she hurriedly gets back to her reading.
MAES: Are there any other problems I should worry about, Judgment?
CHARON: Define problems.
MAES: I simply don't want to hear that you're looking for ghosts in our underground levels.
MAES: It concerns me.
She flashes the slightest bit of teeth as she says it. Charon just barely catches a glimpse, his heart rate speeding up and a little intake of breath at the sight of it.
Shit.
Shit.
CHARON: I don't plan to.
Maes pauses, ear twitching almost too subtly to be seen.
Shit, she noticed.
She reads more of his file, but there’s something about the way she speaks that makes Charon feel…scrutinized.
She reads more of his file, but there’s something about the way she speaks that makes Charon feel…scrutinized.
MAES: You seem tense, Judgment.
MAES: Do I have to worry about you cracking under pressure?
She makes sure to almost snarl the last word.
CHARON: Please, an interview doesn't scare me.
Charon focuses- he’s grateful to be blessed with the ability to gauge subtle elements and emotions, an aspect of his family line. He tries to see what he can find in Maes, nervous about what he might find.